In this innovative volume, Maria Lucia Pallares-Burke examines the nature of the so-called 'new history'. In conversation with nine leading scholars associated with the movement, Pallares-Burke investigates the new approaches to the writing of history. In a series of interviews, Asa Briggs, Peter Burke, Robert Darnton, Carlo Ginzburg, Jack Goody, Daniel Roche, Quentin Skinner, ...(展开全部)

In this innovative volume, Maria Lucia Pallares-Burke examines the nature of the so-called 'new history'. In conversation with nine leading scholars associated with the movement, Pallares-Burke investigates the new approaches to the writing of history. In a series of interviews, Asa Briggs, Peter Burke, Robert Darnton, Carlo Ginzburg, Jack Goody, Daniel Roche, Quentin Skinner, ...(展开全部)

乔治·萨顿(George Sarton，1884～1956)，出生于比利时，但是在美国成就了他的事业。正是在他手中，科学史最终成为一门正式学科。1913年他创办了著名科学史杂Isis，并担任主编长达40年。1940年他被任命为哈佛大学的科学史教授。人们认为他创造了科学史这门学科的“工具、标准以及批判的自觉性”，故誉之为“科学史之父”。萨顿生前出版了15部专著，发表了340多篇论文和札记，编辑了79份详尽的科学史重要研究文献目录。这些都是他留给后人的珍贵遗产。

乔治·萨顿(George Sarton，1884～1956)，出生于比利时，但是在美国成就了他的事业。正是在他手中，科学史最终成为一门正式学科。1913年他创办了著名科学史杂Isis，并担任主编长达40年。1940年他被任命为哈佛大学的科学史教授。人们认为他创造了科学史这门学科的“工具、标准以及批判的自觉性”，故誉之为“科学史之父”。萨顿生前出版了15部专著，发表了340多篇论文和札记，编辑了79份详尽的科学史重要研究文献目录。这些都是他留给后人的珍贵遗产。

For this updated edition of her acclaimed work on historians and the writing of history, Gertrude Himmelfarb adds four insightful and provocative essays dealing with changes in the discipline over the past twenty years. In examining the effects of postmodernism, the illusions of cosmopolitanism, A. J. P. Taylor and revisionism, and Francis Fukuyama's "end of history," Himmelfar...(展开全部)

For this updated edition of her acclaimed work on historians and the writing of history, Gertrude Himmelfarb adds four insightful and provocative essays dealing with changes in the discipline over the past twenty years. In examining the effects of postmodernism, the illusions of cosmopolitanism, A. J. P. Taylor and revisionism, and Francis Fukuyama's "end of history," Himmelfar...(展开全部)

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)

The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlie...(展开全部)

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。